Plop

A blog as useful as a frog jumping in a pond…

Blessed curse

Imagine if you found out that you and you alone had free will and everyone else was merely a manifestation of fate. Would that be a blessing or a curse? Would you rejoice or despair?

Marcus Aurelius, a Stoic philosopher and a Roman Emperor born in 121AD, thought it a good idea to live one’s life with this belief. Does that make him a genius or a fool?

Just wondering… like sometimes I wonder if trees have awareness of some kind and if so are they aware of time and then do they get bored? Nuh, I’m kidding, I have never wondered that about trees. Well at least not until just now when I wrote it. And no, I don’t know if I chose to think that or if fate just popped it into my head.

November 1, 2010 Posted by | Random | , , , , | 4 Comments

It’s art for fate’s sake

Before starting on this post I would like to say a quick word of thanks to the people who have kindly sent me email. Especially those who have shared their insights or questioned my ideas and my photographic work. It is always appreciated.

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Not too long ago I received an email from a reader who questioned my choice of subjects in my photographs relative to my philosophical outlook of life which she assumed to be either Buddhist or Taoist. She wanted to know how I saw a connection between my usual images of urban grunge and decay and the ethereal beauty of Taoist or Zen teachings. Her expectations envisaged images of pebbles and meandering brooks, Japanese gardens and orderly patterns, of proverbial frogs jumping into ponds.

Firstly I need to point out that I am neither Buddhist or Taoist. I find it best to hold no beliefs or concepts which tends to be how I perceive all philosophies and religions. It is true that I favor quotes from Zen and Taoist scriptures but only because they are the least distorted interpretations of pointers that have been given by teachers throughout the ages. At least as far as I can tell. These teachings, or pointers, are common to many religions but in some, such as Christianity and Islam, the interpretations of the parables/pointers seems to be done in such a way as to benefit the few in order that they may control the many. Again this is just my view on the matter. In any case, as I’ve already mentioned, I prefer not to hold onto concepts and see no benefits in being dogmatic about unprovable principles. Beliefs, after all, are just thoughts. Totally intangible.

Now having said this there is no denying that I still philosophise about life and such as the posts in this blog will testify. But I do so with the understanding that it is all quite useless and conceptual and that it is best not to put a label on it (even though the need to communicate does require the use of such labels). I tend to philosophise purely for entertainment value. I do not mean to be flippant but I have no other way of expressing it.

So how do my photographs relate to my philosophising? Well in short, they don’t. At least not in any mystical or esoteric way. The photographs have little to do with anything. In fact I have never as yet printed one and only began keeping them when other people started to express interest in them. This is not to say that I don’t enjoy my images. Quite the contrary. I get a lot of pleasure and joy from my images. There’s excitement when I finish processing an image and blow it up to the full size of my 17″ screen. I love immersing myself in them and being subtly aware of the myriad thoughts they evoke, the good, the bad and the ugly. And of course I get a kick when others appreciate them and bring to them their own feelings and interpretations. That, in part, is what art is about, the sharing of joy and fun, feelings and emotions, memories and imaginings. That’s how I see it though it surprises me how many artists don’t see it this way. Perhaps that is a sign that I am simply not an artist, merely an hobbyist. In any case that is a whole other topic.

Getting back to the topic at hand, while I thoroughly enjoy my images I am not attached to them and from a philosophical point of view they are almost illusory in nature. It’s not the image that is important to me or the subject, it is the imaging, the process of making the photograph and the most important part to that process is the initial seeing. The subject matter is not part of the process, it is, for all intensive purposes, inconsequential. The subject is illusory while the seeing is real. In other words it is unimportant whether the subject is a grungy alleyway or cherry blossoms in full bloom. What is all important is the clear seeing and the detached acceptance of what is seen. There is a strength, a power, an awareness that comes at that moment of seeing and accepting. I do not shoot the alleyway because I choose to, I shoot it because it is inevitable that I do. At the moment of seeing there is a sense that everything this present moment has to offer is a fated consequence of the past. Life has unfolded itself to this very moment just as it is, despite any apparent desires on my part for it to be otherwise. So if there is to be a connection between my photography and my philosophising than it is between seeing and amor fati, the love of one’s fate. Fate is life and life is truth and art connects it all together in a boundless embrace of beauty and clarity.

There is a possibility at this point that I will be labeled a fatalist or a determinist. That is fine, I don’t mind but those labels may carry with them an implication of capitulation, of not having control. There may even be an assumption that I am forced to like all that happens, all that I see but that is not what amor fati points to. It points to not fighting against what is, choosing instead, to accept it, as it is. Paradoxically, as so often happens in life, out of this simple acceptance comes freedom and independence. And thus the very limitations that fate appears to beset on me are transmuted into beauty and creativity.

So in photographic terms, my success in creating a photograph that I will like, comes from accepting fully that which is presented to me. When I allow the mind to relax its grip on the world perceived, through the simple act of acceptance, creative energy is released and transformed into… well… art, or in my case, a photograph. A photograph that brings me bliss.

July 17, 2009 Posted by | Concept, Photography | , , , , , , , , , , , , | 2 Comments

The Nature of Things

When I come to a decision point in my life, it appears to me that I make a choice of my own free-will. I say “appears” because as I’ve explained before I cannot be sure that this is in fact happening. For example I wake up in the morning and a thought comes to mind to go for a jog, quickly followed by another thought to stay in bed or get on the computer. I ponder the choices and I choose to go for a jog. I made a decision. Or did I?

All decisions are made after some sort of analysis and the analysis is, as far as I can tell, based on memories. I might have read an article saying that jogging and exercise is good for you or I might have remembered that last time I weighed myself I had put on some weight and that wasn’t suppose to be good for me, and so on. Now all these memories are based on someone elses thoughts or on my upbringing, my schooling, peer pressure etc. So at what point is the decision mine? If I look at my life in retrospect, which is the only way to view one’s life, I can’t recall one decision that was made by me alone. So to make a “free” decision I would have to be free of memories or at the very least be detached from them and from thought. But then maybe it’s not in my nature to make “free” decisions anymore than it is in the violin’s nature to sound like Harley Davidson.

January 19, 2009 Posted by | Concept | , , | Leave a Comment

Do we live life or does life live us?

Could the violin maker have been a boiler maker? Could he have made a choice prior to becoming a violin maker and become something else? Common sense tells us that yes he chose to be a violin maker but he could easily have chosen to be something else. But is that truly the case? Afer all we can’t prove, or disprove, free-will. Or destiny for that matter. Both are concepts and are at the root of the question: do we live life or does life live us?

It’s a question without an answer but one that makes for entertaining conversation. Entertainment is what life is for that matter, good or bad, it’s all entertainment. The world’s a stage and we’re all players as William Shakespeare once said. But back to the question. Do we live our lives, do we make the decisions, make the plans, follow our dreams or does life simply manifests as us and we merely think we’re in control. Of course we would need to know what life is or how it’s defined but that too is a question without answer.

Let’s not worry about defining “life” for now. I’m more interested in the possibility that I am merely attached to the belief that I am in control and that I am not at the mercy of fate. But how do we calibrate our beliefs. I mean, I register all the things around me via my senses but how do I know that my senses are working correctly. I can’t step outside myself to calibrate my senses. I may well have a totally wrong perspective. And other people can’t be relied on, just look at the studies that have been done on the discrepancies between witnesses of a particular event.

So I must remain open to the possibility that life lives me and lets me believe I’m in control. Even science seems to point to this possibility. In any case it’s all concepts, mind stuff, nothing more than entertainment. The answer is somewhere in the silence between the thoughts that afflict us.

January 16, 2009 Posted by | Concept | , , , , , | 7 Comments

   

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